Managed Print

In-house production print: when it makes sense to stop outsourcing

The decision comes down to one comparison: what you pay to outsource print each year versus the true running cost of producing it in-house. When regular outsourced work crosses that line, an in-house production device pays for itself in turnaround time as well as money. Here is how to run the numbers properly.

The signs you are ready

  • You outsource printing every month, not just for one-off campaigns
  • Deadlines are dictated by a print supplier’s schedule, not yours
  • Confidential documents, board papers, contracts, exam papers, leave the building to be printed
  • Departments buy print separately, so nobody sees the total spend

That last one matters: outsourced print hides in dozens of small invoices across departments. Pulled together, the annual figure often surprises people.

What to compare, honestly

Your outsourced side: every print invoice across the organisation, plus the hidden costs, courier fees, wasted time waiting, over-ordering “to be safe” and the resulting shelf of unused stock.

The in-house side: device lease or purchase, a cost-per-page service agreement (toner, parts and engineering included), media, finishing equipment and a realistic view of operator time.

An honest assessment also lists the jobs that should stay outsourced, very long runs, specialist finishing, oversized formats. In-house production is about bringing the regular 80% in, not chasing the exotic 20%.

Turnaround is the quiet winner

The financial case usually gets the attention, but the operational case is often stronger: work produced in hours instead of days, last-minute corrections that cost nothing, confidential material that never leaves the building, and print-on-demand replacing boxes of pre-printed stock that go out of date.

Getting the device right

This is where specification matters. Colour-critical marketing work points to a digital press such as Canon imagePRESS; high-volume mono, manuals and course packs point to varioPRINT; many print rooms need one of each. Workflow software such as uniFLOW handles job submission and accounting, so the print room runs as a service, not a queue at a door.

Just as important is who stands behind the device. Production environments need accredited engineers, parts availability and fast response, because a print room deadline does not move.

Run the numbers with us

We have specified and supported in-house print rooms since 1992, as a Canon Platinum Partner with our own workshop and field engineers. Book a free production print assessment and we will compare your outsourced spend with the in-house cost, and tell you honestly if the case is not there yet.

FAQs

Frequently asked questions

What volume justifies an in-house production printer?

There is no single magic number, because it depends on what you print and what you currently pay to outsource. As a rule of thumb, organisations regularly outsourcing brochures, reports, course packs or client documents every month usually have a case worth assessing. A production print assessment compares your outsourced invoices with the real running cost of the right device.

What does a production printer cost to run?

The main elements are the device (bought or leased), a cost-per-page service agreement covering toner, parts and engineering, media, and any finishing kit. A good assessment lays these out against your current outsourced spend so the comparison is honest, including the jobs that should stay outsourced.

Is digital production print quality good enough for client-facing work?

Yes. Modern digital presses such as Canon imagePRESS deliver colour, registration and media handling that stand up to offset for short and medium runs, with colour management keeping output consistent between jobs. Very long runs can still favour litho, which is exactly what an honest assessment will tell you.

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